2025, digital sculptures

These forms began as medical images of wounds, flesh trauma transformed through digital processes. Each perforation and erosion maps a disturbing trajectory: how constant exposure to images of violence and conflict quietly reconfigures our aesthetic responses. In saturated media landscapes where suffering circulates as content, we develop altered ways of seeing. These sculptures push to the limit that psychological shift, the gradual numbing that allows us to find beauty in structures of harm. They occupy an uneasy threshold between attraction and repulsion. They are monuments to our contemporary condition: the capacity to metabolize trauma into visual culture. These forms do not tell us what emerges when suffering develops its own aesthetic grammar and injury becomes a design language. They can only evidence the nature of our transformed gaze: beauty and horror collapsed into a single, troubling syntax.

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