Exhibition Design

PIAZZA DE CARLO

A12 Triennale Live, Triennale di MIlano, Italy, 2014. Mexican Pavilion, Salone del Mobile, Milano 2015 A place to stay and a meeting point dedicated to the reflection on the figure of the italian architect, urbanist and theoretician Giancarlo De Carlo.

PIAZZA DE CARLO

A12 Triennale Live, Triennale di MIlano, Italy, 2014. Mexican Pavilion, Salone del Mobile, Milano 2015 A place to stay and a meeting point dedicated to the reflection on the figure of the italian architect, urbanist and theoretician Giancarlo De Carlo.

GUARDIANI

giussaniarch – Roberto Giussani / Andrea Balestrero 2011 Project and work supervision Set up of the exhibition of photographs by David Pizzigoni in the Bagatti Valsecchi museum in Milan. The project plays on the continual references and reflections between the

GUARDIANI

giussaniarch – Roberto Giussani / Andrea Balestrero 2011 Project and work supervision Set up of the exhibition of photographs by David Pizzigoni in the Bagatti Valsecchi museum in Milan. The project plays on the continual references and reflections between the

ISTANBUL/MAGENTA

A12 IX Istanbul Biennal, Istanbul, Turkey 2005 Deniz Palas, Garanti Building, Kavala and Antrepo no. 5 storages, Platform Garanti Contemporary Art Center, Bilsar Building, Italian Workers Society building are the seven venues of Istanbul Biennial. Seven buildings with different characteristics,

ISTANBUL/MAGENTA

A12 IX Istanbul Biennal, Istanbul, Turkey 2005 Deniz Palas, Garanti Building, Kavala and Antrepo no. 5 storages, Platform Garanti Contemporary Art Center, Bilsar Building, Italian Workers Society building are the seven venues of Istanbul Biennial. Seven buildings with different characteristics,

PITTI FILATI 2001/2005

A12 Setup of “Spazio Tendenze” of Pittifilati Fair, Cavaniglia Pavilion – Fortezza da Basso Firenze, Italia 2001-2005 The “Spazio Tendenze” section organized by Pitti Immagine aims to introduce visitors to the path between the booths of various companies presenting, before

PITTI FILATI 2001/2005

A12 Setup of “Spazio Tendenze” of Pittifilati Fair, Cavaniglia Pavilion – Fortezza da Basso Firenze, Italia 2001-2005 The “Spazio Tendenze” section organized by Pitti Immagine aims to introduce visitors to the path between the booths of various companies presenting, before

LO SGUARDO ITALIANO

A12 Setup of the exhibition “Italian Eyes – fashion photography from 1951 to the present” Rotonda di via Besana, Milano, Italia 2005 The exhibition design, stages at the center of the Rotonda di Via Besana a kind of architecture/archive, an

LO SGUARDO ITALIANO

A12 Setup of the exhibition “Italian Eyes – fashion photography from 1951 to the present” Rotonda di via Besana, Milano, Italia 2005 The exhibition design, stages at the center of the Rotonda di Via Besana a kind of architecture/archive, an

LAB

A12 Temporary Pavilion, Kroller Muller Museum,Otterlo, Nederlands 2004 LAB is the first open air exhibition in the sculpture-park of the Kroöller-Müller Museum. The metaphor of the labyrinth, as a possible interpretative device to represent the contemporary urban condition, was the

LAB

A12 Temporary Pavilion, Kroller Muller Museum,Otterlo, Nederlands 2004 LAB is the first open air exhibition in the sculpture-park of the Kroöller-Müller Museum. The metaphor of the labyrinth, as a possible interpretative device to represent the contemporary urban condition, was the

PER FILI E PER SEGNI

A12 Exhibition “Per fili e per segni, ingegno italiano e società dell’informazione”, Fiera di Genova, Italia 2004 The exhibition, which is spread over an area of 3,000 square meters tells the story of the Information and Communication Technology with particular

PER FILI E PER SEGNI

A12 Exhibition “Per fili e per segni, ingegno italiano e società dell’informazione”, Fiera di Genova, Italia 2004 The exhibition, which is spread over an area of 3,000 square meters tells the story of the Information and Communication Technology with particular

LA ZONA

A12 Padiglione temporaneo 50th Intl. Art Exhibition Venice Biennal, 2003 La Zona is a temporary pavilion for the display of contemporary arts, installed in the Giardini della Biennale, in Venice, during the 50th International Exhibition in 2003. Located in an

LA ZONA

A12 Padiglione temporaneo 50th Intl. Art Exhibition Venice Biennal, 2003 La Zona is a temporary pavilion for the display of contemporary arts, installed in the Giardini della Biennale, in Venice, during the 50th International Exhibition in 2003. Located in an

UNIFORME/KID SIZE

A12 Exhibition design of “Uniforme. Ordine e disordine” and “Kid Size: il mondo materiale dei bambini” Stazione Leopolda, Firenze, Italia 2001 P.S.1, New York, USA 2002 Spazio Armani, Milano, 2002 Two exhibitions, different in contents and size are contained in

UNIFORME/KID SIZE

A12 Exhibition design of “Uniforme. Ordine e disordine” and “Kid Size: il mondo materiale dei bambini” Stazione Leopolda, Firenze, Italia 2001 P.S.1, New York, USA 2002 Spazio Armani, Milano, 2002 Two exhibitions, different in contents and size are contained in

N 33′ 51.917″, E 130′ 47.808″

A12 CCA – Center for Contemporary Art Kitakyushu, Japan 2002 How to describe an unknown territory? During two months members of gruppo A12 wander through the Japanese city of Kitakyushu, with the objective to draw a map of the city.

N 33′ 51.917″, E 130′ 47.808″

A12 CCA – Center for Contemporary Art Kitakyushu, Japan 2002 How to describe an unknown territory? During two months members of gruppo A12 wander through the Japanese city of Kitakyushu, with the objective to draw a map of the city.

FOLIE

A12 Temporary Pavilion inside the Exhibition “La Ville, le Jardin, la Memoire” French Academy, Villa Medici, Rome, 2000 The pavilion, built modifying a prefabricated greenhouse, during the exhibition was used to host an archive of artist gardens curated by Barbara

FOLIE

A12 Temporary Pavilion inside the Exhibition “La Ville, le Jardin, la Memoire” French Academy, Villa Medici, Rome, 2000 The pavilion, built modifying a prefabricated greenhouse, during the exhibition was used to host an archive of artist gardens curated by Barbara

HUMBOT

A12 Installation, ZKM Karlsruhe, 1999 The installation is presented as a physical place to “stay”, made of the accumulation of materials recovered and built through on-site work, which functions simultaneously as a container and as a counterpoint to the site

HUMBOT

A12 Installation, ZKM Karlsruhe, 1999 The installation is presented as a physical place to “stay”, made of the accumulation of materials recovered and built through on-site work, which functions simultaneously as a container and as a counterpoint to the site