Exhibition Design

METAL FAIRYTALE

A12 Exhibition design  for Officina9 Fuorisalone Milano 2019

METAL FAIRYTALE

A12 Exhibition design  for Officina9 Fuorisalone Milano 2019

CASE MILANESI

Giussaniarch Exhibition design, Villa Necchi Campiglio, Milano, 2018

CASE MILANESI

Giussaniarch Exhibition design, Villa Necchi Campiglio, Milano, 2018

PIAZZA DE CARLO

A12 Triennale Live, Triennale di MIlano, Italy, 2014. Mexican Pavilion, Salone del Mobile, Milano 2015 A place to stay and a meeting point dedicated to the reflection on the figure of the italian architect, urbanist and theoretician Giancarlo De Carlo.

PIAZZA DE CARLO

A12 Triennale Live, Triennale di MIlano, Italy, 2014. Mexican Pavilion, Salone del Mobile, Milano 2015 A place to stay and a meeting point dedicated to the reflection on the figure of the italian architect, urbanist and theoretician Giancarlo De Carlo.

KERNEL MAPPING CINEMA 2013

An unconventional outdoor cinema for mapping short films. The façade of the neoclassical architecture of Villa Tittoni in Desio came to life with the audiovisual 3D mapping works realized by emerging artists and talents of international caliber.

KERNEL MAPPING CINEMA 2013

An unconventional outdoor cinema for mapping short films. The façade of the neoclassical architecture of Villa Tittoni in Desio came to life with the audiovisual 3D mapping works realized by emerging artists and talents of international caliber.

KERNEL FESTIVAL 2012

KERNEL /012 – International digital and visual art festival _29/30 JUNE _1 JULY www.kernelfestival.net VILLA TITTONI TRAVERSI _DESIO [Milan – Monza] – Italy _artists ELECTRONIC SOUND & MUSIC The Analog Session _IT | Aquarius Heaven _DE | Floating Points _UK

KERNEL FESTIVAL 2012

KERNEL /012 – International digital and visual art festival _29/30 JUNE _1 JULY www.kernelfestival.net VILLA TITTONI TRAVERSI _DESIO [Milan – Monza] – Italy _artists ELECTRONIC SOUND & MUSIC The Analog Session _IT | Aquarius Heaven _DE | Floating Points _UK

KERNEL FESTIVAL 2011

Kernel Festival is a platform where artists and young talents can share the scene for the comparison, exchange and experimentation. Kernel / 011 is an international festival dedicated to contemporary artistic languages related to technological experimentation and specifically, Interactive &

KERNEL FESTIVAL 2011

Kernel Festival is a platform where artists and young talents can share the scene for the comparison, exchange and experimentation. Kernel / 011 is an international festival dedicated to contemporary artistic languages related to technological experimentation and specifically, Interactive &

GUARDIANI

giussaniarch – Roberto Giussani / Andrea Balestrero 2011 Project and work supervision Set up of the exhibition of photographs by David Pizzigoni in the Bagatti Valsecchi museum in Milan. The project plays on the continual references and reflections between the

GUARDIANI

giussaniarch – Roberto Giussani / Andrea Balestrero 2011 Project and work supervision Set up of the exhibition of photographs by David Pizzigoni in the Bagatti Valsecchi museum in Milan. The project plays on the continual references and reflections between the

SALA D’ARME

A12 Project for a bookshop in Palazzo Vecchio a Firenze (IT) 2010 The project is part of the wider redevelopment program of the museum of Palazzo Vecchio and has as its object the preparation and functional adaptation of the Sala

SALA D’ARME

A12 Project for a bookshop in Palazzo Vecchio a Firenze (IT) 2010 The project is part of the wider redevelopment program of the museum of Palazzo Vecchio and has as its object the preparation and functional adaptation of the Sala

DISOBEDIENCE ARCHIVE

A12 Design of the exhibition “Disobedience Archive”, MNAC, Bucharest (RO), August 2009

DISOBEDIENCE ARCHIVE

A12 Design of the exhibition “Disobedience Archive”, MNAC, Bucharest (RO), August 2009

DOMUSLAB FOOD

A12 DOMUSLAB is a workshop in progress operating throughout the Architecture Biennale. Artiglierie, Venice Biennale, 11th International Architecture Exhibition_ September / November 2008 The “food” theme has in the past decade become absolutely pivotal in western society. People talk increasingly

DOMUSLAB FOOD

A12 DOMUSLAB is a workshop in progress operating throughout the Architecture Biennale. Artiglierie, Venice Biennale, 11th International Architecture Exhibition_ September / November 2008 The “food” theme has in the past decade become absolutely pivotal in western society. People talk increasingly

MILES ARCHIVE

A12 Project for prototype, knitting stitch, yarn libraries and exhibition spaces for a knitwear factory, Vicenza (IT), 2008 Four key concepts: 1) Complex Machine: The building is the archive: the storage mechanism is staged as a scenographic element of representation

MILES ARCHIVE

A12 Project for prototype, knitting stitch, yarn libraries and exhibition spaces for a knitwear factory, Vicenza (IT), 2008 Four key concepts: 1) Complex Machine: The building is the archive: the storage mechanism is staged as a scenographic element of representation

INDIA ARTE OGGI

A12 Exhibition design, Spazio Oberdan, Milano (IT) 2007

INDIA ARTE OGGI

A12 Exhibition design, Spazio Oberdan, Milano (IT) 2007

I MILLE VOLTI DELL’UTILE

A12 Design of Gianni Berengo Gardin’s photographic exhibition about social cooperation. Palazzo D’Oria Spinola, Genova (IT) 2007  

I MILLE VOLTI DELL’UTILE

A12 Design of Gianni Berengo Gardin’s photographic exhibition about social cooperation. Palazzo D’Oria Spinola, Genova (IT) 2007  

U & THE CITY

A12 Design of the exhibition “U& the city – Università e trasformazioni urane” , Turin (IT), january-february 2007 The exhibition traces, through plans, projects and images, the places of the Turin university system and their recent and future evolution: a

U & THE CITY

A12 Design of the exhibition “U& the city – Università e trasformazioni urane” , Turin (IT), january-february 2007 The exhibition traces, through plans, projects and images, the places of the Turin university system and their recent and future evolution: a

CD0 ARCHIVE

A12 Exhibition design, NABA Nuova Accademia di Belle Arti, Milan, Italy, June 2006 Exhibition design of the traveling exhibition “Curating Degree Zero Archive”. This multifaceted and nomadic archive is transformed from time to time into an exhibition to reflect the

CD0 ARCHIVE

A12 Exhibition design, NABA Nuova Accademia di Belle Arti, Milan, Italy, June 2006 Exhibition design of the traveling exhibition “Curating Degree Zero Archive”. This multifaceted and nomadic archive is transformed from time to time into an exhibition to reflect the

NEOZONE

A12 Design of the Neozone fashion trade fair, Milan, 2006 NeoZone is a high-end womens pret a porter event which draws inspiration from the most innovative, researched classic and contemporary styles. The event presents quality contemporary classics and luxury sportswear

NEOZONE

A12 Design of the Neozone fashion trade fair, Milan, 2006 NeoZone is a high-end womens pret a porter event which draws inspiration from the most innovative, researched classic and contemporary styles. The event presents quality contemporary classics and luxury sportswear

ISTANBUL/MAGENTA

A12 IX Istanbul Biennal, Istanbul, Turkey 2005 Deniz Palas, Garanti Building, Kavala and Antrepo no. 5 storages, Platform Garanti Contemporary Art Center, Bilsar Building, Italian Workers Society building are the seven venues of Istanbul Biennial. Seven buildings with different characteristics,

ISTANBUL/MAGENTA

A12 IX Istanbul Biennal, Istanbul, Turkey 2005 Deniz Palas, Garanti Building, Kavala and Antrepo no. 5 storages, Platform Garanti Contemporary Art Center, Bilsar Building, Italian Workers Society building are the seven venues of Istanbul Biennial. Seven buildings with different characteristics,

PITTI FILATI 2001/2005

A12 Setup of “Spazio Tendenze” of Pittifilati Fair, Cavaniglia Pavilion – Fortezza da Basso Firenze, Italia 2001-2005 The “Spazio Tendenze” section organized by Pitti Immagine aims to introduce visitors to the path between the booths of various companies presenting, before

PITTI FILATI 2001/2005

A12 Setup of “Spazio Tendenze” of Pittifilati Fair, Cavaniglia Pavilion – Fortezza da Basso Firenze, Italia 2001-2005 The “Spazio Tendenze” section organized by Pitti Immagine aims to introduce visitors to the path between the booths of various companies presenting, before

LO SGUARDO ITALIANO

A12 Setup of the exhibition “Italian Eyes – fashion photography from 1951 to the present” Rotonda di via Besana, Milano, Italia 2005 The exhibition design, stages at the center of the Rotonda di Via Besana a kind of architecture/archive, an

LO SGUARDO ITALIANO

A12 Setup of the exhibition “Italian Eyes – fashion photography from 1951 to the present” Rotonda di via Besana, Milano, Italia 2005 The exhibition design, stages at the center of the Rotonda di Via Besana a kind of architecture/archive, an

CINA PROSPETTIVE D’ARTE CONTEMPORANEA

A12 Exhibition design, Spazio Oberdan, Milano (IT), 2005 The project reinterprets the theme of the Chinese courtyard by re-proposing a central space that is only ideally closed and introverted, actually capable of allowing visual references between one section and another

CINA PROSPETTIVE D’ARTE CONTEMPORANEA

A12 Exhibition design, Spazio Oberdan, Milano (IT), 2005 The project reinterprets the theme of the Chinese courtyard by re-proposing a central space that is only ideally closed and introverted, actually capable of allowing visual references between one section and another

LAB

A12 Temporary Pavilion, Kroller Muller Museum,Otterlo, Nederlands 2004 LAB is the first open air exhibition in the sculpture-park of the Kroöller-Müller Museum. The metaphor of the labyrinth, as a possible interpretative device to represent the contemporary urban condition, was the

LAB

A12 Temporary Pavilion, Kroller Muller Museum,Otterlo, Nederlands 2004 LAB is the first open air exhibition in the sculpture-park of the Kroöller-Müller Museum. The metaphor of the labyrinth, as a possible interpretative device to represent the contemporary urban condition, was the

PER FILI E PER SEGNI

A12 Exhibition “Per fili e per segni, ingegno italiano e società dell’informazione”, Fiera di Genova, Italia 2004 The exhibition, which is spread over an area of 3,000 square meters tells the story of the Information and Communication Technology with particular

PER FILI E PER SEGNI

A12 Exhibition “Per fili e per segni, ingegno italiano e società dell’informazione”, Fiera di Genova, Italia 2004 The exhibition, which is spread over an area of 3,000 square meters tells the story of the Information and Communication Technology with particular

LA ZONA

A12 Padiglione temporaneo 50th Intl. Art Exhibition Venice Biennal, 2003 La Zona is a temporary pavilion for the display of contemporary arts, installed in the Giardini della Biennale, in Venice, during the 50th International Exhibition in 2003. Located in an

LA ZONA

A12 Padiglione temporaneo 50th Intl. Art Exhibition Venice Biennal, 2003 La Zona is a temporary pavilion for the display of contemporary arts, installed in the Giardini della Biennale, in Venice, during the 50th International Exhibition in 2003. Located in an

UNIFORME/KID SIZE

A12 Exhibition design of “Uniforme. Ordine e disordine” and “Kid Size: il mondo materiale dei bambini” Stazione Leopolda, Firenze, Italia 2001 P.S.1, New York, USA 2002 Spazio Armani, Milano, 2002 Two exhibitions, different in contents and size are contained in

UNIFORME/KID SIZE

A12 Exhibition design of “Uniforme. Ordine e disordine” and “Kid Size: il mondo materiale dei bambini” Stazione Leopolda, Firenze, Italia 2001 P.S.1, New York, USA 2002 Spazio Armani, Milano, 2002 Two exhibitions, different in contents and size are contained in

WITTE DE WITH

A12 Renovation of Witte de With Center for Contemporary Art, Rotterdam (NL) 2002 The proposal for the Witte de With museum is divided into the definition of three intervention strategies which, acting on different levels, attempt to solve problems related

WITTE DE WITH

A12 Renovation of Witte de With Center for Contemporary Art, Rotterdam (NL) 2002 The proposal for the Witte de With museum is divided into the definition of three intervention strategies which, acting on different levels, attempt to solve problems related

URGENT PAINTING

A12 Exhibition Design, “Urgent Painting”, Musée d’Art Moderne de la Ville de Paris, Paris, France, 2002 The exhibition design played on the interaction between the furniture elements and the graphic devices that identify the works of the individual artists on

URGENT PAINTING

A12 Exhibition Design, “Urgent Painting”, Musée d’Art Moderne de la Ville de Paris, Paris, France, 2002 The exhibition design played on the interaction between the furniture elements and the graphic devices that identify the works of the individual artists on

N 33′ 51.917″, E 130′ 47.808″

A12 CCA – Center for Contemporary Art Kitakyushu, Japan 2002 How to describe an unknown territory? During two months members of gruppo A12 wander through the Japanese city of Kitakyushu, with the objective to draw a map of the city.

N 33′ 51.917″, E 130′ 47.808″

A12 CCA – Center for Contemporary Art Kitakyushu, Japan 2002 How to describe an unknown territory? During two months members of gruppo A12 wander through the Japanese city of Kitakyushu, with the objective to draw a map of the city.

FOLIE

A12 Temporary Pavilion inside the Exhibition “La Ville, le Jardin, la Memoire” French Academy, Villa Medici, Rome, 2000 The pavilion, built modifying a prefabricated greenhouse, during the exhibition was used to host an archive of artist gardens curated by Barbara

FOLIE

A12 Temporary Pavilion inside the Exhibition “La Ville, le Jardin, la Memoire” French Academy, Villa Medici, Rome, 2000 The pavilion, built modifying a prefabricated greenhouse, during the exhibition was used to host an archive of artist gardens curated by Barbara

HUMBOT

A12 Installation, “Net_condition_art and global media” ZKM Karlsruhe, 1999 The installation is presented as a physical place to “stay”, made of the accumulation of materials recovered and built through on-site work, which functions simultaneously as a container and as a

HUMBOT

A12 Installation, “Net_condition_art and global media” ZKM Karlsruhe, 1999 The installation is presented as a physical place to “stay”, made of the accumulation of materials recovered and built through on-site work, which functions simultaneously as a container and as a